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Restoration of a Gretsch
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As near as I could tell, this guitar was made in the late '60's or early '70s.  It spent many years in deplorable condition after being chemically stripped, which melted the headstock inlay, binding and dissolved most of the glue in the guitar.  After an extensive rebuild, it's now as good as new.

   

The first order of business was to stabilize the instrument and 'undo' the mistakes that had been made previously.  Nearly the entire perimiter needed to be reglued and re-routed.  Insided the instrument, the bridge block needed to be reglued.

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You really never know what kind of 'treasures' you'll run into when working on an old instrument!  That dust bunny was big enough to eat a mouse!
 
Notice the original red color left behind after the finish removal.  This gives me a clue about what I need to recreate.  I want the guitar to appear as though it's color has aged for about 40 years when all is said and done.  Because of this, I won't be able to use a Gretsh factory color.
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Removing old fret wires.

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Removing neck binding (this was not original binding)

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Straightedge routing jig for 'freshening' up the binding rabbet.

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The headstock still had the original 'pearloid' inlay, but it had to be removed because of the shrinkage caused by chemical stripping.

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Recreated headstock inlay.  (Aged appearance is intentional)

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After the sides were cleaned-up and the binding rabbet re-routed, 3-ply ivoroid binding was replaced.

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After the binding was installed and flush-sanded, the neck was radiused to 10" and refretted.

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About the green stuff - I always tape the fretboard when dressing frets.  The new frets were then leveled, re-crowned, end-dressed and finally polished.

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Closeup shot of fret detail after final polishing.

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The whole guitar was then 'final-sanded', masked and finished in a 2-tone black cherry burst.  Then lightly shot with vintage amber to artificially age the binding.  This was followed with another 6 coats of clear.

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Gretsch uses an interesting material for headstock overlays.  It's almost like a phenolic resin.  I was concerned about how it had blanched out after years without any finish, but as you can see, it came back beautifully. 

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The hardware is reinstalled after the finish cures and is final-polished.

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Closeup detail of the factory strap button, re-installed.

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A nearly completed Gretsch.

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Mark Bennett with his newly refurbished Gretsch and sadly for me, the end of a fun restoration.

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